Relation of F‑numbers to the Aperture

F‑numbers and the aper­ture have an inverse rela­tion­ship Hi there, my name is Paul, and this is Expo­sure Ther­a­py. In this video, I’ll explain the rea­son for the inverse numer­i­cal rela­tion­ship between f‑numbers and the aper­ture. This rela­tion­ship is a wide­spread point of con­fu­sion for many begin­ner pho­tog­ra­phers, who regard it as irra­tional or need­less­ly …

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How to Choose Your Next Portrait Lens—Part 2

Por­trait lens­es and focal length One of the most dis­cussed and mis­un­der­stood prop­er­ties of por­trait lens­es is focal length. If you ask your pre­ferred online com­mu­ni­ty for por­trait lens sug­ges­tions, chances are, many users will respond by rec­om­mend­ing spe­cif­ic focal lengths.  Per­haps the most com­mon­ly rec­om­mend­ed focal length for por­trai­ture on full-frame cam­eras is 85 …

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Choosing Your Next Prime Lens (Using Adobe Lightroom)

How do you select a focal length for your first prime lens? Hi every­one, my name is Paul, this is Expo­sure Ther­a­py, and in this video, I’ll demon­strate how Adobe Light­room Clas­sic can help you select your next prime lens. Most of the stu­dents that attend my pho­tog­ra­phy work­shops bring gear pur­chased as part of …

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Composition Techniques for Beginner Photographers

A tran­script of the text fol­lows below. Many new pho­tog­ra­phers, espe­cial­ly those who don’t have some artis­tic back­ground, have trou­ble with com­po­si­tion. I’ll try to dis­till the idea of com­po­si­tion to its core, dis­cuss how our minds process visu­al infor­ma­tion in a way that could sab­o­tage a casu­al approach to com­po­si­tions and share a few …

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3 common mistakes by beginner photographers (and how to fix them)

[The fol­low­ing is a tran­script of the embed­ded video.] Are you dis­ap­point­ed by the qual­i­ty of your pic­tures because they look pix­e­lat­ed, or the colours don’t look authen­tic, or they’re sim­ply too light or dark, and you just want them to look good?  Let’s sort it out. My name is Paul and this is Expo­sure …

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